Banquo and Macbeth Essay

Banquos tad appearing at the banquet is a graphic manifestation of the guilt that Macbeth feels. Since, Lady Macbeth needs to make excuses for Macbeths interaction with the ghost of Banquo means that the ghost is only visible in Macbeths eyes. During Macbeths coronation banquet, Lady Macbeth pulls Macbeth asides and asks him the reason behind his hostile behavior. Macbeth becomes angry because Lady Macbeth robustly accuses him of lying. When Lady Macbeth calls Macbeth a liar he replies, If I stand here, I was him(3.4.89). Trying to convince Lady Macbeth of what he saw, Macbeth has to prove to himself that he witnessed Banquo interrupt the feast. Baquos ghost is a figment of Macbeths guilt. Macbeth tries to convince himself that he sees a ghost and is not issue mad. After touchableizing he is truly the only one seeing Banquos ghost Macbeth comes to the conclusion that This seeing Banquos ghost is more strange / Than such a murder is(3.4.98-99).Fear cuts deeper than a sword. Simil ar to his earlier epiphany, Macbeth accepts the fact that Banquo is baseless on Macbeths account. When Macbeth returns to the table he proposes a toast that, I drink to th general joy o th unit of measurement table / And to our dear friend Banquo, whom we miss(3.4.108-109). Now, in a spirit level of acceptance, Macbeth is able to tame the million thoughts fighting in his head. Macbeth is in a state of denial. To insure himself that he is not going insane, Macbeth tells Banquos Ghost that Thy bones are marrowless thy blood is cold / Thou hast no hypothesis in those eyes / Which thou dost glare with(3.4.114-116). Similar to when Macbeth tells his wife he saw a ghost, Macbeth tries to remain sane. We are not exposed to our real personality until something really awful happens. Once something bad happens all of the unusable things fall away until we are left with who we really are.Work CitedShakespeare, William. Macbeth. Ed. Barbara A. Mowat and capital of Minnesota Werstine. Folge r ed. New York City Simon & Schuster, 1992. Print.